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Presented on-line and in particular person at areas like Houston’s Contemporary Arts Museum and the Museum of the City of New York, the art work options audio recordings of 100 people counting from 1 to 100 in quite a lot of languages, accompanied by a transcription in white lettering on a black display screen. Localized variations mirror the linguistic landscapes of New York City, St. Louis, Houston, Omaha, and Ogden, Utah, in addition to the US total. An indication language model can also be within the works.
Most of the voices are these of people that referred to as in to file themselves. The Poetic Justice workforce then constructed an algorithm that “selects and weights languages that are the least recorded so that you hear them more frequently,” says Ijeoma. The video adjustments over time as new recordings are added.
“A Counting” is the most recent in a string of artworks that leverage Ijeoma’s background in data know-how to translate chilly information into one thing laden with feeling. “I want to create a contemporary portrait. What better way to do it [than] with contemporary tools and techniques—those of data analysis and data visualization—not in a way that’s literal, but poetic?” he says.