Edwards, who ended up utilizing the actual, flesh-and-blood human Hans Zimmer for the soundtrack of his film, stated he performed the AI-generated monitor again to the composer. Zimmer, he stated, discovered it amusing. Zimmer wasn’t reachable for remark.
Edwards’s experiment speaks to a problem on the coronary heart of one of many largest fights dealing with Hollywood at the moment. Artists and creatives are up in arms over generative AI. Hollywood is presently at a standstill as actors and writers are hanging over fairer labor circumstances and using generative AI within the movie trade. There can be fierce pushback from authors and artists who argue that tech firms steal their mental property by indiscriminately scraping the online for pictures and textual content. Prominent artists akin to comic and writer Sarah Silverman have sued AI firms for copyright infringement.
It’s nonetheless early days for music-generating AI, which could clarify why Edwards acquired the outcomes he did, says Henry Ajder, an skilled in generative AI.
“From my experience, some quite simple AI music is pretty convincing. It’s difficult to tell the difference between an AI-generated composition and a human performed composition,” he says.