Last month, I began mainlining made-for-TV Christmas films — Hallmark films and their otherly-channeled clones — to analysis a completely completely different article, not the one you’re studying proper now. (Maybe subsequent yr.) What arrested my consideration as a substitute was a typical declare in each single one of many films, one so insistently made that I began to really feel a tad skeptical. It’s summed up greatest, maybe, in a line from the Lindsay Lohan Netflix car Falling for Christmas: “Christmas,” a grandmother insists, “is a time for miracles.”
Miracles, and likewise magic; the phrases are interchangeable, and likewise made extra particular. “Holiday” magic. “Christmas” miracles. Hot single enterprise ladies discover sizzling single dads to this point. Small companies on the verge of chapter are saved on the eleventh hour. Children want for household togetherness, and the want is granted.
These are fantastic issues, however not really miracles, or not within the sense of the particular which means of the phrase. A miracle is definitionally an unexplained prevalence that folks consider is the work of some divine entity. It’s extra usually used as a metaphor lately — I wager you’ve uttered the phrase “it’s a Christmas miracle!” paradoxically a time or two your self. But within the light made-for-TV Christmas film, they confer with abnormal occasions that many individuals expertise of their lives — securing a house, discovering love, discovering a worthwhile and sustainable enterprise mannequin — now made sparkly and near-supernatural just because they happen within the midst of snow and holly. These not-quite-miracles dwell a double lifetime of divinity and inevitability, as a result of they’re additionally an expectation. If one thing goes flawed, it’s okay — as soon as Christmas rolls round, it will likely be fastened.
I noticed the miracle thought in films from the Hallmark Channel, which was created when father or mother firm Crown Media took over the previously Christian channel Odyssey in 2001. I noticed the miracle mantra in Christmas films on Lifetime, which provides comparable fare to Hallmark however precisely two notches sexier, and on Netflix, which delightfully has instituted the apply of getting characters in its Christmas films stumble throughout different Netflix Christmas films in their very own world. (Lindsay Lohan, enjoying the Falling for Christmas heroine, an heiress who experiences amnesia and wakes up in an unfamiliar setting, flicks on the TV within the morning, triggering the Netflix “tudum” sound and the touchdown web page for 2021’s A Castle for Christmas.)
And I noticed them within the films of the brand new “Great American Family” channel, which made information when its star and a channel government, Candace Cameron Bure, advised the Wall Street Journal that the channel would maintain “traditional marriage at the core.” (A tiny variety of Hallmark films characteristic same-sex {couples}.) Bure, the previous Full House star generally dubbed the “Queen of Christmas,” starred within the 2014 movie Christmas Under Wraps, which roughly kicked off the style. For many viewers, she comes with built-in cred.
The fledgling channel’s official moniker for its Christmas programming, “Great American Christmas,” left me type of in awe. What an artless advertising technique to call your community and its related properties — like manufacturing firm Great American Media — by using a somewhat apparent Trump marketing campaign slogan echo. It was blatant and cynical and good, . I needed to see what they had been really doing.
It seems that “Great American Christmas” programming is fairly much like that of Hallmark or some other channel, however seemingly so much whiter (and I don’t imply the snow) and, sure, no homosexual {couples}. In the grand custom of Hallmark, the Great American Christmas films stay studiously “apolitical” (within the sense that politics aren’t referred to straight); maybe the one textual trope that appeared to smack straight of the grander MAGA perception system is various very pointed “Merry Christmas” salutations and no “Happy Holidays.” Otherwise, it’s largely the acquainted best hits. The solely crimson hats are on Santa.
In the movie Destined at Christmas, as an example — sort of a Serendipity knock-off — a sizzling single dad (Casey Elliott) and a single, career-focused lady (Shae Robins) meet in a pre-dawn Black Friday buying line, the place he’s discovering items for his daughter and he or she for her niece. They wind up spending the morning collectively chatting and buying and sipping sizzling cocoa, then lose each other when the electrical energy goes out in a retailer, and so they spend the remainder of the film making an attempt to find each other. They lastly do — on the city’s “Christmas village” (a typical trope of the style) and the Christmas Eve “Santa send-off.” The movie ends a yr later, when they’re nonetheless collectively, exchanging items and speaking in regards to the miracle of affection.
There are some ways to criticize these films, and many have executed it. The style could be toxically nostalgic and regressive; they’re normally the other of inclusive; the phantasm of apoliticality is, itself, political. They’re technically billed as “originals,” however they’re the antithesis of unique (although I began to admire the infinite variations on the theme that writers appear to invent — Hallmark launched 40 Christmas originals this yr, whereas the still-new Great American Family launched 18 originals.)
But no matter my emotions as a critic about this materials (partially, that they’re so honest that taking them down feels exhausting and foolish and imply, like choosing in your grandma), I regularly discovered myself fixating on the “magical miracle” factor.
I used to be raised in an setting that took the concept of Christmas as a non secular vacation very severely. I wasn’t allowed to consider in Santa as a child. At church, we frequently spoke in regards to the “reason for the season” (Jesus) and in regards to the risks of letting the secular commercialization of Christmas overtake its true which means. That true which means was, actually, framed as a miracle: God turned a child born in a barn to a virgin, angels appeared to shepherds to announce all of it, and for Christians, historical past pivoted on its axis round that occasion.
It was probably not a candy story, although, at the least not as we discovered it. Christmas additionally included tyranny and compelled occupation, the fear of infants being murdered by a determined king, and a small household fleeing for his or her lives to Egypt. Even Santa was much less a jolly grandpa within the sky and extra a warrior; we discovered he was primarily based on St. Nicholas of Myra, who stood for justice and, reportedly, rescued women from compelled prostitution by dropping gold down their chimney (you see the connection).
That type of miracle — the one the place your dad pays his money owed and doesn’t should promote you into enslavement — isn’t fairly the identical as saving your new boyfriend’s small ski chalet or discovering your real love after some mildly nice hijinks. Instead, that is the softer miracle of Santa, American-style: he winks or touches his nostril and your want lands on the tree, or there’s some additional mild within the sky, otherwise you all of the sudden understand the man you’ve been playfully fight-flirting with is definitely your soulmate.
These are actually pretty issues, however they lack the marvel of an actual miracle and — maybe extra fascinating — they lack a divine entity making them occur. It appears generally like “Christmas” itself is the god of the equipment, the being to be worshiped and celebrated and prayed to. Or it’s Santa, who pops up all through these films usually as a kindly stranger within the city sq. promoting snow globes or ornaments and listening to our characters’ needs and woes.
I’m removed from wishing God would pop up in American Christmas films — the vacation is long gone being noticed in additional than a cursory spiritual method for many who rejoice it, and that’s effective. You don’t should be a working towards Christian to rejoice Christmas. You don’t should consider in something in any respect. What was curious to me was the near-total absence of even these cursory spiritual practices; somewhat than go to church on Christmas Eve, the characters go to the Santa send-off. In a style so enamored with “miracles,” so rooted in Christianity, it appeared odd to by no means hear about, as an example, the beginning of Jesus.
Until I watched the brand new unique film that Bure starred in for the Great American Christmas, entitled A Christmas…Present. She performs Maggie, a busy Type A mother with a household of two teenagers and her lawyer husband, from whom she’s been feeling a bit distant. On a whim, she decides the household really must go to Ohio for Christmas — beginning tomorrow, 10 days earlier than the precise vacation — to spend time together with her lately widowed brother Paul (Paul Fitzgerald) and his tween daughter. And she has many actions deliberate.
A Christmas…Present hits a lot of the style’s best hits: busy profession lady returns dwelling and rediscovers herself; a lot of discuss household togetherness; plenteous Christmas adorning and cookies and all the trimmings. What set this one aside (apart from the truth that the reconnecting couple is already married) was that it really was spiritual. Paul quotes the Bible to Maggie so much — chapter and verse. They discuss perception collectively. The household goes to church. The phrase “Jesus” is uttered. In essence, it’s a Christian film that’s set at Christmas, and that’s a uncommon factor for the made-for-TV Christmas film, even (so far as I might inform) on the Great American Family channel.
This isn’t a film the place the entire Christmas story will get advised, although, and even learn aloud as a household. (They do sing particularly Christian carols.) Nobody has an altar name at church. Santa is an actual determine on this planet, and the Christmas magical miracle continues to be what everybody’s after — on this case, the miracle of reconnecting with your loved ones.
It felt consistent with latest analysis that exhibits that labels like “evangelical” (the largest Christian group in America) are increasingly related to tradition over spiritual perception. The miracles served up by the unique Christmas story are messy and scary and threatening to the Hallmark beliefs of consolation and security and never rocking the boat. They would possibly threaten the rich, spendy Christmas showcased within the style, even when the film is about in what’s meant to be a small city. Actual Christmas miracles, when you take the spiritual origins of the story to be true, are uncomfortable and scary and bizarre. They’re the precise reverse of a Christmas film.
In the tip, that’s the unsettling a part of watching all of those films: that the factor they prize most is a sense of happiness and peace and expectation, all issues we want for at Christmas. But the factor they promise is that this will occur; it’s the foregone conclusion in a cheaply made, churned-out manufacturing, not an precise miracle in any respect. And when you don’t expertise these fantastic however quotidian Christmas emotions, you’re a spoilsport with no religion. If you’re feeling downtrodden on the vacation, or when you don’t really feel like singing that carol or adorning that cookie, the issue must be with you. In the films’ world, not getting within the Christmas spirit is not only unforgivable — it’s unthinkable. A faith that understands the inherently disturbing nature of the vacation may very well be useful in moments like these, nevertheless it’s been squeezed out of Christmas totally.
It’s true that, on the finish of the day, A Christmas…Present goals to remind people who God is an enormous a part of Christmas — one thing you’d suppose is perhaps a much bigger a part of the style. But even by the tip of that movie, God is, in essence, Santa: a benevolent presence who brings what you need. At the tip of the movie, embracing her husband and promising to be extra intentional about their relationship after they return dwelling, snowflakes start to land on their coats. It’s a Christmas miracle. Maggie turns her face up towards the falling snow. “Thank you, God,” she says.